Ashes in a living earth was a 10 day workshop at Domaine de Boisbuchet by ceramicist Maxine Alvarez and Natalia Ramas.
The objective as a collective is to initiate processes of connection with the environment through exercises of contemplation and reflection on the practice of ceramics. Expanding our perspective by deepening the bonds with the landscape, the earth, and living things through collecting and transforming natural materials for the creation of high-temperature clay bodies and glazes, as well as alternative firing processes.
For my pieces I experimented with mixing foraged local clay and white porcelain from the Limoge area of France. Each piece I create is a dialogue between the earth and my hands, with the clay responding to my guidance while simultaneously asserting its own natural rhythm. I make note of the plasticity, fluidity and the responsiveness of the clay in different percentage of clay bodies as I make my pinch pots.
Drawing inspiration from natural forms—such as the folds of leaves, the rough texture of bark, and the smooth undulations of water—my vessels carry an element of spontaneity and imperfection. This allows them to exist as both functional objects and sculptural entities, blurring the lines between utility and art.
The surfaces of my work are treated with a delicate touch, often using glazes that mimic the subtle colors of the landscape. As a group we are using 3 different glazes; a celadon based, a shino based and a foraged oak tree ash based glaze. Through applying these glazes with different techniques and thicknesses; I strive to capture the quiet moments of transformation found in nature—moments of erosion, growth, and decay that speak to the transient beauty of the world around us.
Each piece stands as a testament to the process of becoming, reflecting my deep connection to the earth and the timeless art of shaping and forming it.
